Photos from #France ; #Paris

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“I’m in Paris. I’m in Paris.” I had to keep saying that to myself. I arrived in Gare de Lyon, the main train station, which is already beautiful, and walked out into the chaos of a Paris taxi rank surrounded by 19th century buildings, trying not to cry. My taxi ride was a very similar experience to when I first walked on the Embankment in London…all of the places I’ve been hearing about my whole life actually exist and are right in front of me. When I first saw the Seine, I shrieked. I saw Notre Dame and felt my mouth fall open.  My taxi driver pointed out Place la Concorde, and the Musee D’Orsay. I saw something pointing out above us, from behind another museum, and it took me moment to realise it was the Eiffel Tower. When we drove past the base, I choked a bit.

Because my residency in Vallauris only ended on 19 August, and I must be back in China for 1 September, I had to get home right away. I spent one night and morning in Paris before getting on a plane for Canada. I’m already thinking about when I can go back.

 

A good start in a new direction – #film pre-production

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I didn’t expect to be accepted to this residency in Vallauris, AT ALL. It’s primarily for ceramicists, because that’s what the town has been known for, for centuries. But, it sounded interesting, and I’d never been to France, and well…I had ideas for movies, after having written plays since high school, and this seemed like a good way to kick my own butt into doing some work on “PRE-pre-production.” So I applied. And got it.

So I had to come up with a script for my idea, Am I Beautiful, Yes or No?, and having written that, I figured out how to break it down into shots. And, not having DRAWN in YEARS, I now had to create 38 pictures for those shots. Friends who’ve worked in film wisely advised that often, storyboards consist of stick people. This was my first one, and — if like my plays, I was doing it myself — I wanted them to be pretty clear. So, PANIC. I had 28 days to hand draw 38 images.

A fellow writer recently told me that the magic of residencies is that they turn on the taps. My first day of drawing, I did NINE pictures. I was DONE with that initial project in the first 2 weeks! So…I did the script and storyboard for another, which I’ve called Monster Cat! 

I leave for Paris tomorrow. I’m going home the next day, for the first time in a year. Yet I’ll be very sorry to leave here. Exposition photos here.

Photos from FRANCE: Vallauris

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For the last 5 WEEKS, I’ve been at an artists’ residency in the town of Vallauris, in the south of France, the French Riviera…aka Paradise. In between French wine, French food, and good-looking guys speaking French to me, I’ve been working on storyboards for TWO short films for when I get back to Canada.

Here’s some of what I’ve seen!

Photos from FRANCE: Cannes

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Part of the reason I applied for my current artists’ residency was its location: the French Riviera is among those almost mythical places you read about. Where the gargantuan artists and authors worked, where water, sky, and wine blend together. And, it’s 5 minutes from Cannes.

Cannes is very polished compared to Nice and Antibes, and normally I don’t like that. But it works here – the beaches, trees, ancient buildings and colour of the water aren’t overcome by the opulent hotels, fancy cars and designer shops. Everything goes together. The city isn’t remotely shy about playing up its glamorous image – the Palme D’Or symbol is on the roads, there are banners and murals of movie stars everywhere. They’re saying: “Of course movies happen here, of course the world’s most prestigious film festival is here.  Because it’s beautiful!”

Photos from FRANCE: Antibes

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Antibes is 20 minutes from Nice by train. Its old town is amazing — dark, twisty, under-and-over streets and archways. This part is separated from the sea by a frankly intimidating stone wall. From the Port Vauban (home to multi-million dollar yachts and sailboats), all you can see of the city is the Musee Picasso, because its in a castle at the original town’s highest point. It’s very much a seaside resort, summery place.

Today, I’m out of love with #playwriting. It’s like a bad day in a long term #relationship.

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I realised something this morning, on a sunny day in the south of France. It’s a bit of a whinge. But it’s also a bit scary for me, and makes me sad.

I just sent off an application for a playwriting venture. One should keep track of how many competitions, initiatives, etc, one enters…but I’ve given up. Yes, everyone gets rejected, and I admit, tracking the number of things I entered and got rejected for became too much.

My FB and Twitter feeds have recently been filled with invitations to the Fringe shows of friends, as well as previews and reviews. I posted that I was a bit sad I didn’t have a show this year. That’s true…but not quite accurate. I’m also relieved I’m not doing a stage production, and THAT feeling makes me sad. I used to live for the insanity of putting on a show. Even when things went wrong, the result was a show I was proud of. I got the festival’s Artist Badge. I got reviews — good ones — and I could say “Yep, that’s me.” Audiences have told me how much they liked what I did.

Last year, I got my first ever 5-star review for It Started with an Allergy. I leveraged that, I promoted that show every hour of every day, and my houses still never got very big. The spectators who came loved it — there just weren’t very many of them. There’s a prestigious award given to theatre productions every year in Edmonton, and I really, REALLY hoped I might get nominated for Allergy. I didn’t. It’s occurred to me since that I don’t remember if I, or my director, invited the jury to the show! How can I not remember that? But I was also writing, producing, acting, flyering, doing the show. And I just…don’t… recall. That’s bad.

I submitted this play to yet another contest, out of resignation. I couldn’t muster anything to say in my cover letter: “yes, my play’s really good, these other industry people have said so, here’s my amazing CV of other amazing plays which nonetheless didn’t take off, PLEASE GIVE THIS TO ME.”

I wonder if that’s why I’m doing pre-production on a short film. Because it feels like I’ve done everything I possibly can in theatre, and I’m tapped. I’m on the French Riviera, on a writer’s retreat (which I paid for, didn’t get paid for, again). And still, today, I’m discouraged.

Photos of #France: first impressions of #Nice

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Seen from the sky, unspeakably beautiful. Puffs of white cloud floating over green mountains, blue water and red roofs. The airport’s very basic – the thought seems to be “you came for the beach, not the airport,” which is true. I couldn’t find the train into town, but the sweetest woman at a bus stop told me exactly how to get to my hostel – bus, tram, which stops, how much it was. The bus driver spoke NO English, but was checking up on me throughout the trip. I wondered if people in Nice were normally so quiet, or is a full bus usually be more chatty? I got checked in, went for a walk, and wanted to take photos of EVERY street and building. The SMELL – melting butter, melting chocolate, salami, smoked salmon, coffee beans being ground.  All the women look they’ve just come from a photo shoot. All the men look as if they’re just going to or coming  back from the gym. Everyone has a dog, most are French bulldogs. Too many people smoke…yet the cigarettes smell good too.  Hearing French everywhere is amazing. I sat on a bench yesterday for lunch – just a banana, chips and goat cheese – and started giggling, then welling up. There are also police and soldiers everywhere, all carrying machine guns. The French flag is at half-mast. I find it’s comfortably bustling, but was told that this time of year, normally you can barely make it down the street.