Posted on Leave a comment

Yes, This Woman too.

Following on from my post yesterday:

The incident in Isla Vista happened in part because a gun was allowed to get into the hands of someone who should NOT have been permitted to own, or keep, a gun. In that instance, and others before, another direct cause was misogyny.

I don’t need to draw anyone’s attention to the #YesAllWomen discussion that happened next.

This is a statistic that gets heard – and derided – a lot: “1 in 4 North American women will be sexually assaulted during their lifetime”.

25 per cent. One quarter. At least one out of every eight people on planet Earth.

I haven’t said anything about what happened to this woman. Me.

In my entire life, I have only told two people about it – two friends, in junior high, neither of whom I’ve spoken to in years. No one in my family, none of my closest friends now, even know.

For me, me, the internet is not the place to do it. I think I’m okay with saying it now, in the right place, which will be in the one-woman show I started last year.

For now, I will say, believe it: one in four women. This one woman is telling you it’s true.

Posted on Leave a comment

Let’s get rid of guns.

Yes. An insane, impossible idea, and one which brings the trolls to this website, I’m sure.

Three very, very bad events have happened the last two weeks, in California, then in Moncton, New Brunswick (a place not even many Canadians take note of…our radio broadcasters in Edmonton got the capital city of New Brunswick wrong!), and another, just yesterday, in Seattle.

We Canadians take some rather misplaced pride in not having the level of gun violence the US does. I say misplaced because ANY is too much. Despite what this says.

While I was living in Scotland, a police officer was shot and killed in Bradford, Yorkshire, England. This was huge news, gigantic. I admitted to being surprised at how big the news was…a police officer was killed in the line duty – awful but true, that happens. NOT in the UK, ladies and gentlemen. Read this Guardian piece from the time…”more than 160 officers have been ‘killed in the line of duty by a criminal act’ in mainland Britain since 1900.” That was in 2005. Since 1900 ?? Know WHY that is?

Because in the UK, it’s almost impossible for even criminals to get guns. It’s all but impossible for anyone to get one.

So I have a preposterous idea. I’m writing to my (conservative) MP, and requesting that guns – whose purpose is too kill things – be subjected to the same restrictions as cars. Vehicles are recognized as useful, yet potentially dangerous items, and so the use of them is subject to the users proving they can use cars responsibly. THE SAME SHOULD GO FOR GUNS. Rifles of any kind, hunting, recreational in a gun range, doesn’t matter. Anyone who wants to buy a gun has to go through a GRADUATED licensing program. And, at certain periods, gun owners will be required to undergo a test to prove they are still sound and capable gun users. Part of that test will be proving you have done the utter utmost to make certain no one else can get your gun or its ammunition. IF THEY FAIL the test, THEY LOSE THEIR GUN. And, AND, the government could usefully track something: instead of eavesdropping on cellphones, why not use all the technology and manpower instead to track who is building and selling guns, and to WHO.

I’m sick of this argument, which shouldn’t even BE an argument. Guns are for killing – in the hands of responsible people, they kill animals for eating. And if someone breaks into a responsible gun owner’s house, that gun is then apt to get to someone who will kill people. I’m sick of guns getting into the hands of, and remaining with, people who shouldn’t have them, and I’m REALLY sick people being surprised when others are killed as a direct result of those people having guns.

Let’s prove that we are better than the US on this. PROVE IT.

Posted on Leave a comment

I’m spoiling the story about the shark.

Beware, anyone yet to visit Iceland – I’m about to tell you the possible whys and hows regarding the infamous Icelandic rotted shark. Your future tour guides may hate me. It’s a story that’s gotten me thinking about food…just, basic food.

I first heard about the shark from my fried Laurie, who first visited Iceland in 2001. She came back with tales of hot springs every 10 feet, magical greenhouses, and the annual winter ritual of catching sharks, burying them on the beach, and then digging them up months later, half-rotted, and eating it. And we all thought: Iceland’s a crazy place. Maybe this a macho thing like polar bear swims, or just a trick played on tourists – like when off-islanders visit Newfoundland and you’re made to kiss a cod and drink the screech.

I have now eaten of the shark…and like most things which sound insane, there is a logic.

My tour guide Sam, brought me to a tiny fish restaurant near Reykjavik’s harbour, where we first had harðfiskur. This is what the original Icelanders relied on when first there. Imaging eating nothing but dried, salted cod for months at a time. Which is where the shark, hákarl, comes in.

First, some icthyology: Sam explained that, since the North Atlantic Ocean is very cold, the sea creatures living in it have evolved a bit differently. Kidneys are made mostly of water (surprise), and because the North Atlantic is so cold, one’s kidneys will freeze in it. The sharks living is this ocean have gotten around the problem by evolving without kidneys. But, this means they need to expel urea (ie, pee) through muscles and then skin.

Sam said what probably happened was this: the first Icelanders caught a shark, butchered it on the beach, ate some, and got violently sick for weeks. They thought “Okay, don’t do THAT again”, buried the shark right there, and forgot about it. That is, until the following winter, when there wasn’t so much as harðfiskur to eat, and out of utter desperation, they dug up the now half-rotten shark, and ate some. And…it wasn’t pleasant, but they could keep it down.

We now know that, as the shark decomposes and dries out, its fluids – including its urea – get soaked up by the ground its buried in. The Icelanders only knew that it worked, and have been doing it ever since. It’s a rubbery texture, and the taste of leftover pee is definitely there. It was odd. Sam said that, not unlike the Screech I told him about, hákarl is still usually washed down with a shot of Brennivín, which is a lot like potato vodka. To me, it smelled slightly better than turpentine.

Traditional Icelandic cuisine is very basic: Meat soup (lamb). Dark bread. Lots and lots of seafood. The farms established in the rocky Iceland soil grew hay to feed livestock, so when times were good, the Icelandic diet was (and is) meat-heavy. When times were bad, it was dried cod and fermented shark.

Just like haggis. And pemmican. We forget that the food of France and Italy is very regional – they’ve traditionally used what was near to hand – it’s just that in many, not-so-cold places, what’s near to hand is variable and quite tasty.

Many of us have the choice now of overeating because we can eat whatever and whenever we want. I wonder if overeating is, to a degree, hard-wired in us, because we are homo sapiens, a species for whom centuries of survival food was normal.

Posted on 1 Comment

“your famous friend, well I knew him before you, oh yeah!”

With apologies to Franz Ferdinand.

To (tangentially) follow up yesterday’s post: there was a director named Matt Kowalchuk, who was hanging about Walterdale Playhouse around the same time I wrote Crushed. He directed a number of shows, including one of my favourite productions ever, of Morris Panych’s Seven Stories.

Another fellow I knew ages ago, named Daniel Arnold, wrote a show with his wonderful U of A classmate Medina Hahn, called Tuesdays and Sundays, which has now been performed pretty much everywhere.

These two gentlemen have made a film of Morris Panych’s play Lawrence and Holloman, which has been playing festivals all over North America. And now Telefilm Canada is showing it at Cannes.

When I heard this…I was caught between my brain short-circuiting and crying with happiness. These guys are SO GOOD at what they do, and they more than deserve this. Cannes is like the Edinburgh Fringe – it’s one of those events you’ll hear about as soon as you decide to enter the industry, it’s the peak. And these wonderful guys I knew in Edmonton are going. YAY TIMES 1 MILLION!

Posted on Leave a comment

Photographic memory.

Two members of Walterdale Playhouse have done something mad and amazing.

Now online are the production photos from every show ever performed at Walterdale. Since 1958.

This includes the premiere of Crushed, in 1997.

Have a look!

Posted on Leave a comment

Go see Murderers Confess at Christmastime!

I’ve already tweeted this, but it’s very, very important you go see this show. Jason Chinn is one of my favourite playwrights – not just “local” or someone I know, but one of my favourite writers PERIOD. I’m gleeful when I hear he’s done something new and I can see it. This show has already been done in Toronto, and now it’s at Theatre Network here in Edmonton.

It’s important people see it – not just because it’s good – but it’s so utterly different, and brain-busting, from what anyone else here is doing. So if you genuinely love “envelope-pushing” theatre…and I can only assume if you’re reading this you do…see this show.

(The one thing I wish, WISH, I could do as well as Jason is titles. Murderers Confess at Christmastime?? And his last play was called Ladies Who Lynch. I need to hire him to give my plays titles that’ll make audiences do a double-take like his do.

Posted on Leave a comment

I love to travel…except for the travelling part.

I’ve not posted in while, because work. Bits and pieces of encouraging, though no concrete, theatre things going on. As such, I decided I needed a vacation. For the first time in two years, I’m going AWAY. Yes, I know one shouldn’t post on the web that one is going to be away from home – but I have a reliable cat-sitter who’ll be dropping in and making certain my place doesn’t explode. So: I’ll soon be taking advantage of the new direct flight from Edmonton, and spending a week in Iceland.

And so the self-sabatoge kicks in.

When I went to the UK, for what would be four years, I did not get my traveller’s cheques sorted out until two days before I left. There was no reason. I just didn’t get around to it. My current co-workers would probably be shocked to hear I’m a natural procrastinator.

I had quit my job, given up my spot in the house I was living in, given away or sold practically everything I owned, to move to a new country…and nearly shot myself in the foot right before getting on the plane. A friend, and much more savvy traveller, had the foresight to ask me: “so…what about money?” And I had to take out from the bank ALL the money I had, in money orders, and find a bureau de change that would make up cheques for me with two days’ notice. Thank God my friends had thought to give me some Sterling in cash as a going-away present.

This past week, history began repeating itself. I got to my bank after work and braved a half-hour lineup to order some kronur – just in time, it’ll be here a matter of days before I leave. And last night, after dropping yet more money on new hiking shoes (the better to walk across caldera), I wanted to make certain my rather small money-pouch would hold my passport…which I couldn’t find. I did in the end, after ransacking my bedroom drawers.

I need to go on this trip. I WANT to go on this trip. So why in the hell am I leaving this rather important stuff – like making sure I know where my passport is? – so late?

Once I’m at a new place, I’m absolutely fine. I have a great sense of direction, and the worry of not knowing where or what anything is disappears – I just go walking and happen on things, which I love. Maybe I subconsciously feel going on a vacation shouldn’t be so much work. There’s a part of me that resents planning to tramp freely around geysers and soak in a hut tub. I need to relax, not think about measuring how much mouthwash I can bring on a plane, how much dinner will cost, or how heavy my bag is.

Such is travelling today. I can’t believe it was simpler 10 years ago. Once I’m in Reykjavik, I’ll remember the hassle is worth it.

Posted on Leave a comment

THE WHEATLEYS KNOW WHO I AM.

In the great sea of the internet, anyway.

This is what happened on Twitter today:

iPhone capture from Twitter.
iPhone capture from Twitter.

I have been waiting to see this film since last July. I tweeted this musing randomly (what else is Twitter but random musing?) on my lunch break from my day job. And get a reply from what I incredulously assumed was a spambot, or a fan who tweets under Mr Wheatley’s name. But on looking at the profile of @mr_wheatley (followed by Tom Hiddleston and Mark Gatiss, among others), and looking at the website

It could be Ben Wheatley and Amy Jump’s staff, managing their blog, who look for any mention of their films. BUT WHO CARES?

So, yeah. Tonight, I have an APN phone meeting, and then I need to renew some artist memberships — because I’m a card-carrying artist. And then, instead of doing dishes OR watching A Field in England, I’m going to write. Because Mr and Mrs Wheatley told me to!

Posted on Leave a comment

“Only this, and nothing more.”

I saw Catalyst Theatre‘s show Nevermore last night. It was first created in 2008, and has been performed in Europe and at the 2010 Cultural Olympiad since then. This remount is, yes, the first time I’ve seen it. And I was still barely ready to.

I have been a fan of Edgar Allan Poe since I was 16. Emo, right? I first read The Raven in grade 11. I was in the advanced humanities courses at my high school; One of the pieces I annotated and analyzed was The Masque of the Red Death. I didn’t think much about this – he was a famous author, of course lots of people liked him, I thought. And then, once I learned more about his life, I realized I’d identified with him, just through his work.

My writing is not nearly as macabre as Poe’s. It has been noted though, that one of the characters dies in every one of my plays, usually in a…messy fashion. Those ideas come from somewhere.

The best way I have of explaining this is indirectly. A long time ago now, when Buffy the Vampire Slayer was still on, but had been for a while, a group of close friends kept telling me I would love the show and had to watch it. One day, I was at one couple’s house and everyone decided today was the day: they popped in a recorded episode of Buffy, and we all sat down to watch. Unfortunately, the episode my close friends had chosen was the one where Buffy’s mother died. I bolted from the room and locked myself in the bathroom, willing myself not to throw up. A few minutes later, there was a knock on the door, and when I got it open, my one friend shamefacedly said we could watch something else. Joss Whedon, that mad genius, got it right. TOO right.

If you’re a fan of Poe, you’ll know his life was one tragedy after another. One would wonder how he remained functional, and the answer would be he didn’t – that’s why he was alcoholic. He was a gifted writer with a huge imagination, and like all children, he imagined monstrous things. But he witnessed his mother die when he was 8…the first he’d see of many. His monsters were real. Nevermore so perfectly made Edgar’s thoughts visual, right in front of me, that when I wasn’t gasping I was crying.

It’s not always a good idea to entangle an author’s life with what they write, but Poe’s work is fascinating, and his own story too clearly shows where that work came from. Some people are so strong that they can genuinely take anything and remain standing. Poe wasn’t one of those. And that makes this writer feel relieved on those days I can’t stand up.