THE WHEATLEYS KNOW WHO I AM.

In the great sea of the internet, anyway. This is what happened on Twitter today: I have been waiting to see this film since last July. I tweeted this musing randomly (what else is Twitter but random musing?) on my lunch break from my day job. And get a reply from what I incredulously assumedContinue reading “THE WHEATLEYS KNOW WHO I AM.”

Why period pieces are so difficult to write WELL…and how one film cracked it.

I was absurdly pleased when, this week, my director of Take a Bite redux, Amy DeFelice, e-mailed me some salient facts she’d unearthed in her research for her Fringe show this year, about Aphra Behn. Theatre/English Lit geekery! Amy directed the staged reading of my one-woman show that I’ve been intermittently trying to rewrite since…it’sContinue reading “Why period pieces are so difficult to write WELL…and how one film cracked it.”