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I’ve got Banff-playwright squidgies

I don’t know how else to describe it.

Oh, there’s been a lack of time, certainly. Partly it’s procrastination – never had I felt a stronger need to wash and sanitize my rubbish bins and change my cat’s litter than this past weekend.

But the greatest enemy is SELF-DOUBT. Never doubt that. And it took a large Second Cup holiday tea, nanaimo bar and 4 HOURS to conquer it enough to get out my scene for Playworks Ink.

You see, besides seeing Mr Christopher Plummer (I can’t stop thinking that), Playworks is also going to have workshops. Classes. Classes which mundane me gets to take, from people who really, REALLY know what they’re doing. Chris Craddock is doing Solo Creation. If your life’s being is meant to be alone, onstage, JUST YOU, this is the man you need to show you how. He’s amazing. Classes with Sharon Pollock, who is among the best playwrights in Canada ever, and planet earth, and wrote Doc one of the plays which made me think “Oh God, let me write something 10 per cent as good as that one day…” I once met her, at another APN event, years ago. I hope she’s forgotten, because on hearing her name I squealed. Dignified.

I myself am taking Facing the Rewrite, with a playwright named Robert O’Hara, from New. York. City. Who has won an Obie Award. These facts would be enough to make my brain melt, but I’m also going to be taking a session with him called Don’t F*ck up my Play! This makes me weep with happiness.

Until this past weekend, on realizing, f*ck, I had to write something new, to rewrite during Facing the Rewrite, with an Obie-winning-playwright from NYC at the BANFF CENTRE. I knew exactly the scene from the new play I wanted to write…it just wouldn’t come out.

In this situation, it doesn’t work to say – “I’ve already paid, they’re not going to NOT let me in.” I’m going because I want to learn and I want to be GOOD because it’s Banff and this writer is good, and I can’t bring…mediocre.

It’s hard to explain the relief, when it did come out. It frightens me a bit that it took so long, that it felt so hard to start…and how relieved I am that once I got going, it was fine.

So. I’m excited again. I’ve heard today there is still a bit of room left in both Facing the Rewrite and Sharon’s course The Playwright as Storyteller. Really, you should sign up. Soon. Because…Don’t F*ck up my Play is full. (And Christopher Plummer is coming.)

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Great news on the Alberta theatre scene!

Absolutely, insanely good news this week on the theatre scene from Theatre Alberta and Alberta Playwrights Network. Bonkers, really.

Just now, on CBC Radio Daybreak Alberta, the world met the winner of the Alberta Playwriting Competition’s grand prize, Katherine Koller. I’m especially giddy about this one because a scene from her winning play, Last Chance Leduc, was presented at Peep Show at the first Skirts Afire festival earlier this year, so I’ve already heard some of it, and it’s amazing. Katherine is a terrific writer — I’m so happy for her!

AND. As part of her prize, Katherine’s play will getting a public reading at this year’s Playworks Ink conference, which for the first time will be held at the Banff Centre. AND. One of our guests, giving a masterclass, will be Christopher Plummer.

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Read that again. Please. I had to.

Registrations aren’t open just yet. Please keep on eye on Theatre Alberta’s site for when they are, and book right away. But not before me. I’ve booked the time off work and I’m getting in first.